One report links drugs and antiquities smuggling in Texas

This report from a local Dallas news station details yet another example of how illicit networks piggyback off each other. We know that in Italy antiquities smugglers used other illegal and grey networks to smuggle antiquities up into the freeports of Switzerland.

It comes as no surprise then that the illegal narcotics trade, a big problem on the border towns of the US and Mexico, has also opened up pathways for looted and stolen antiquities.

According to Homeland Security Investigations, thieves removed thousands of items from archaeological sites in the area of Northern Mexico near Big Bend National Park. Other artifacts were stolen during a museum heist in Cuatro Cienegas, Coahuila, and smuggled across the border. “From here, they’d be just like drugs or any other stolen property," Stone said. "They’d be moved and transshipped to other locations." Undercover agents intercepted some of the items by infiltrating the smuggling ring. “We were able to set up some meetings and view these artifacts posing as buyers,” said Bill Fort, a Homeland Security Investigations agents who helped crack the case.

Here's the video report:

Prosecutors Allege Customs Violations in Koh Ker Statue Forfeiture

Prosecutors have amended their complaint which seeks to forfeit this Koh Ker Khmer statue. Much of the press coverage focuses on whether the colonial French government or some other legal enactment created ownership rights in the statue before the time it was removed.  I don't have a pacer account and access to these court filings, but based on the reporting it appears prosecutors saw a difficult path to victory in attempting to apply colonial French law to the statue. Instead they are also seeking a more straightforward argument: arguing that the importers of the statue lied on their customs forms. From the NYT:

Prosecutors say that in 2010, when the statue was being imported into the United States, the owner submitted an inaccurate affidavit to American customs officials, at Sotheby’s request, stating the statue was “not cultural property” belonging to a religious site. The government contended in its filing on Friday that both parties knew the statue, a mythic Hindu warrior known as Duryodhanna, valued at up to $3 million, was stolen when they agreed to ship it from Belgium to New York. The government says it can prove that the statue in fact came from a Khmer Dynasty temple, Prasat Chen, part of a vast and ancient complex called Koh Ker.

If prosecutors can establish these statements were inaccurate, the more difficult question of which law might apply to the statue would be largely irrelevant. This is the same legal principle used when prosecutors successfully forfeited a 4th-century B.C. ancient golden phiale from Michael Steinhardt in 1999. Lying to customs officials is a violation of the law, with its own forfeiture provision. If the prosecutors can establish this, a successful forfeiture seems very likely.

1. Tom Mashberg & Ralph Blumenthal, Sotheby’s Accused of Deceit in Sale of Khmer Statue, The New York Times, November 13, 2012, http://www.nytimes.com/2012/11/14/arts/design/sothebys-accused-of-deceit-in-sale-of-khmer-statue.html (last visited Nov 14, 2012).
2. United States v. An Antique Platter of Gold, 184 F. 3d 131 (2nd Cir. 1999).

U.S. Repatriates 4,000 Looted Antiquities to Mexico

Yesterday U.S. law enforcement officials returned 4,000 object to Mexico. They are the fruit of 11 different investigations in cities like El Paso, San Antonio, Fort Stockton, Phoenix, San Diego, Chicago and Montana. These kinds of 'art on the table' news conferences are quite common. But I admit to feeling conflicted about them. On the one hand they certainly speak to the degree of seriousness with which ICE agents and the Federal Government take these crimes. But as with any crime that becomes federalized like this, the incentives are I think primarily geared towards rewarding these big investigations and successful returns. Yet the underlying problems endemic to the antiquities trade itself are not treated or targeted. It is an important step, but also the more of these returns I see (and there are a lot of them) the more frustrating it becomes as well. Because these investigations target the objects. There is no mention of arrests, prosecutions or of much of anything which would produced sustained compliance on the part of the art trade.

In fact after reading the news release I feel more pessimistic about the mass of objects which are being smuggled up from the south. Consider that three statues were smuggled in by a migrant worker on a bus; another clay statue was hidden in luggage in El Paso; another statue was hidden in the dash of a vehicle; a grinding stone was found in another vehicle; another millstone was found in the back of a truck; and the list goes on. These are straightforward and low-cost means to smuggle the objects into the country. We cannot I think expect ICE agents to catch every smuggled object found in luggage, trucks or cars. The trade itself and art buyers need to step up at some point and correct a market which routinely accepts these looted and stolen objects. But that kind of sober reflection on these recoveries is not to be found in the statements of U.S. and Mexican officials. From the ICE news release:

"The plundering of cultural property is one of the oldest forms of organized cross-border crime and has become a worldwide phenomenon that transcends frontiers," said HSI Assistant Director Janice Ayala. "The teamwork and cooperation that exists between ICE's Homeland Security Investigations and our Mexican law enforcement counterparts, as well as with U.S. federal, local and state law enforcement agencies made it possible for us to secure these cultural artifacts and to ensure that they are returned to the government of Mexico. HSI will remain committed to combating the looting and trafficking of Mexico's cultural treasures."
Consul General of Mexico Jacob Prado stated, "The restitution to Mexico of more than 4,000 archaeological pieces, which were seized by ICE's Homeland Security Investigations special agents, is proof of the excellent collaboration that exists between Mexico and the United States, and attests to the relevance of the institutions and legal framework that our authorities have developed to successfully address the many different issues of our bilateral agenda." Consul General Prado also expressed the gratitude of the government and the people of Mexico to the six HSI offices involved in recovering the artifacts, "for their support to ensure the restitution of these archaeological pieces, which are part of the cultural heritage and the historical memory of the people of Mexico."

Not Just Bad Paperwork

In July, Immigration and Customs Enforcement announced that it had indicted four men and dismantled an entire antiquities smuggling network. The indictments in what I'll call the "Lewis Smuggling Network" alleged that the four men sent objects from Egypt to Dubai before coming to America. The case brings to mind another similar kind of prosecution in which an individual was accused of not properly declaring the history and value of antiquities being imported into the United States. The case offers a number of similarities to an older case involving customs declaration.

In 1980 a gold phiale, called the golden phiale of Achyris, pictured here, probably of Sicilian origin, was sold by a collector in Sicily to another collector and coin dealer, who in turn sold the work to William Veres, an art dealer based in Zurich, Switzerland (it gets confusing and we still haven't reached the ultimate endpoint). The phiale was offered to Robert Haber, a New York art dealer. Haber acted as a middle man in an eventual sale to Michael Steinhardt for $1.2 million. In December 1991, Haber flew to Switzerland to retrieve the phiale. Upon his return to New York, the customs forms declared the work’s country of origin as Switzerland and its value a mere $250,000. Why did the customs forms lie? To hid and disguise the object's history.

In 1995, Italy began asking for formal assistance, and the Federal government intervened with a civil forfeiture action. A federal magistrate in New York issued a warrant for the seizure of the phiale from Steinhardt. The U.S. government then instituted a civil forfeiture action against the phiale in federal district court in New York. The district court held that the phiale was subject to forfeiture under 18 U.S.C. § 545. The importation of goods “by means of false statements” is prohibited by 18 U.S.C. § 542 and renders them subject to forfeiture under 18 U.S.C. § 545. The court found that falsely listing the work’s country of origin as Switzerland tainted the importation process and violated § 542. Steinhardt defended on the grounds that he had no knowledge that the object was looted or stolen. The court disagreed, finding that 18 U.S.C. § 545 does not afford an innocent owner defense. Steinhardt appealed the district court’s decision. The Second Circuit affirmed on the grounds that the misstatement of the phiale’s country of origin was material and thus subjected it to forfeiture under 18 U.S.C. § 545.

There are some differences between Steinhardt and the pending case against Mousa Khouli (Windsor Antiquities, NY), Salem Alshdaifat (Holyland Numismatics, West Bloomfield MI), Joseph A. Lewis, II (collector of Egyptian antiquities), and Ayman Ramadan (Nafertiti Eastern Sculptures Trading, Dubai).

This recent case has the Federal prosecutors pursuing charges against the dealers and collector in this case. They are not pursuing the object by itself, but rather they have a case against the whole network. Irrespective of whether Steinhardt, and his intermediary should have known and asked more closely about what they were buying, there were false statements made on the importation documents, just as false statements were alleged to have been made in this recent sting. Both Steinhardt and Lewis held esteemed positions, with power and influence. In Lewis' case however, the Federal Prosecutors feel they have a much stronger case, with information on the entire smuggling and looting network, not just an isolated false statement on an importation document. In any event, neither Lewis nor Steinhardt will likely consider their cases bad paperwork. Misrepresenting the value and nation of origin is a deliberate attempt to circumnavigate heritage law. And if the government can make its case, there may be some real custodial sentences imposed.

"Groundbreaking" Antiquities Smuggling Ring Investigation

 Immigration and Customs Enforcement (ICE) announced yesterday that it has for the first time "dismantled" an antiquities smuggling network operating in the United States. Charges have been brought against individuals before, but this is appears from the indictment to be a pretty complete looting network, operating in the Middle East and the United States, which has been uncovered. According to the federal indictment four men have been charged with smuggling antiquities into the United States. It alleges that four men operated a smuggling operation which sent objects from Egypt to Dubai and its freeports and on to the United States. The federal agents also note that there was money laundering involved here, perhaps a tangible case implicating organized criminal activities to antiquities smuggling.

Dubai has freeports, much like Switzerland does. These are special areas which allow for the ease of international commerce, but can also be a haven to looters and smugglers. Giacomo Medici of course operated a very posh looted antiquities showroom from a Swiss freeport for many years. As the tension and unrest in many Middle-Eastern countries emerges, will Dubai become a focus for antiquities investigations? A haven for looters? I would suspect that Dubai will be far more willing and able to police and investigate on the looting of objects and stolen artifacts. I have a PhD colleague who currently works in their copyright enforcement force, and I would imagine that if nations ask for enforcement assistance from Dubai, they will likely receive it.

Windsor Antiquities booth in Manhattan, via WSJ

The investigation began when ICE Special Agent Brenton Easter and his team were looking for a terracotta head which was uncovered in Iraq in 2000, and the investigation uncovered an international smuggling ring. This is an example of what appears to be a very successful operation which has targeted all of the individuals in the ring, including the conduit from the thieves or looters in the Middle East, "the broker", "the individual providing false provenance", and "the end-all collector". One of the objects, pictured here was a Greco-Roman-style Egyptian sarcophagus which might be worth as much as $2.5 million.

The indicted men are Mousa Khouli (Windsor Antiquities, NY), Salem Alshdaifat (Holyland Numismatics, West Bloomfield MI), Joseph A. Lewis, II (collector of Egyptian antiquities), and Ayman Ramadan (Nafertiti Eastern Sculptures Trading, Dubai).

1. ICE makes arrests and seizes cultural artifacts stolen from Egypt, (2011), http://www.ice.gov/news/releases/1107/110714newyork.htm (last visited Jul 15, 2011).
2. Keith Johnson, Alleged Antiquities Smugglers Busted, wsj.com, July 15, 2011, http://online.wsj.com/article/SB10001424052702304223804576446313624549304.html (last visited Jul 15, 2011).
3. Kiran Khalid, Feds: Global antiquities smuggling ring dismantled CNN (2011), http://edition.cnn.com/2011/CRIME/07/15/new.york.antiquities.smuggling/ (last visited Jul 15, 2011).
4. Feds accuse 4 of smuggling Egyptian artifacts, Reuters (2011), http://newsandinsight.thomsonreuters.com/Legal/News/2011/07_-_July/Feds_accuse_4_of_smuggling_Egyptian_artifacts/ (last visited Jul 15, 2011).
5. Kate Taylor, Federal Authorities Charge 4 People in Antiquities Smuggling, The New York Times, July 14, 2011, http://www.nytimes.com/2011/07/15/arts/design/federal-authorities-charge-4-people-in-antiquities-smuggling.html?_r=1 (last visited Jul 15, 2011).

Guns, Degas, and Legal Disputes

A work purportedly by Degas, at the center of a legal dispute in Florida

Details of an odd art dispute are unfolding in Florida. A law firm is being sued by its client for failure to release this work, allegedly by Degas. All the red flags are up in this case, yet it wasn't the auction house Sotheby's which delayed the auction, but rather a dispute over legal fees and a $1 million retainer.

In August, a pleasantly cool month in Chile, Bonati was in Santiago, where he and McInnis boarded the chartered, nine-seat Cessna. The plane refueled in Ecuador and landed in Fort Lauderdale after the 4,000-mile flight.
As the men headed for the terminal, they drew suspicion because of what the law firm later called their "bizarre'' conduct.
"Bonati carried the multi-million dollar painting in his arms as the pair made their way across the tarmac . . . while McInnis walked alongside with a gun holstered at his waist,'' the firm said in a court filing. 

"Bonati was also carrying in excess of $10,000 in cash on his person, a sum which he did not declare to U.S. Customs as required by law.'' 

Anyone taking more than $10,000 in currency into or out of the country must file a report with customs. 

Paintings and other original works of art also must be declared, though most are allowed to enter the United States duty-free. But with art theft a major international problem, U.S. Immigration and Customs Enforcement has stepped up efforts to ascertain the ownership of potentially valuable works. 

In January, the agency returned to France a Degas painting stolen from a museum there in 1973. It resurfaced last fall in the catalog of a Sotheby's auction in New York. 

That episode "shows why we take an interest in these kind of cases and if it is stolen, returning it to its rightful owner,'' says Danielle Bennett, an ICE spokeswoman.

1. Susan Taylor Martin, Doctor's legal battle reveals potential art trove, St. Petersburg Times, March 6, 2011, http://www.tampabay.com/news/courts/civil/doctors-legal-battle-reveals-potential-art-trove/1155579 (last visited Mar 8, 2011).

Are Iraq's Antiquities in a Revolving Door?

A 4,400 year old statue of King Entemena looted and now returned

In a ceremony today 542 works of art and objects were returned from the United States to Iraq.  Among the items returned were:

[A] 4,400-year-old statue of King Entemena of Lagash looted from the National Museum . . . an even older pair of gold earrings from Nimrud stolen in the 1990’s and seized before being auctioned at Christie’s in New York last December; and 362 cuneiform clay tablets that had been smuggled out of Iraq before the invasion . . .  There was also a more recent relic: a chrome-plated AK-47 with a pearl grip and an engraving of Mr. Hussein, taken by an American solider as booty and displayed at Fort Lewis, in Washington.

Yet a senior Iraqi official admitted that 632 other pieces returned by U.S. forces have apparently gone missing.  They were supposed to have been shipped to the Iraqi Prime Minister's office via a flight authorized by Gen. Petraeus, Steven Lee Myers reports for the NYT that antiquities returned to Iraq are in a "revolving door". Iraq's ambassador to the United States Samir Sumaidaie told reporters "“We asked the US military to move it to Iraq. When the pieces arrived in Iraq, they were delivered to the office of the prime minister and now we are trying to find them”.  Perhaps the attention paid to these newly returned artifact will help to recover the previous shipment.  

1. Steven Lee Myers, Iraq’s Looted Treasures in a Revolving Door, The New York Times, September 7, 2010, http://www.nytimes.com/2010/09/08/world/middleeast/08iraq.html?_r=1&hp (last visited Sep 7, 2010).
2. The Associated Press: Hundreds of looted artifacts returned to Iraq, http://www.google.com/hostednews/ap/article/ALeqM5hwK_CSpBxsNuVUEaDuOwmSSCiqGwD9I344LG2 (last visited Sep 7, 2010).
3. Jane Arraf, 542 antiquities looted in Iraq war return home. Where are the rest?, Christian Science Monitor, , http://www.csmonitor.com/World/Middle-East/2010/0907/542-antiquities-looted-in-Iraq-war-return-home.-Where-are-the-rest (last visited Sep 7, 2010).

Video from the NYT after the jump.

US Returns Angkorian Sculptures to Cambodia

 The United States returned seven sculptures today which had been smuggled out of Cambodia.  The statues were recovered in Los Angeles in 2008.  They objects include two heads of Buddha, a bas-relief, and also an engraved plinth.  I'm unable to find any details about the seizure at present, but these returns may be tied to the investigation of Galleries and Museums in California in early 2008. 

1. AFP: US returns stolen Angkorian sculptures to Cambodia, AFP (2010), http://www.google.com/hostednews/afp/article/ALeqM5goRoNfmLD0vbnGwi6ospmF1MBRmQ (last visited Jun 17, 2010).
2. The Associated Press: US returns 7 stolen ancient Cambodian sculptures, AP (2010), http://www.google.com/hostednews/ap/article/ALeqM5iDRqLsyg_5D0Sim77b6ZhkroOlXAD9GCTS800 (last visited Jun 17, 2010).

Forfeitted Pissarro Returning to France

A federal jury has ruled that this Pissaro painting, "Le Marché," was stolen from the Faure Museum in Aix-la-Bains in France.  The work was seized by ICE agents from Sotheby's in 2006, after its theft in 1981.  The thief took the work from the museum under his jacket.  The work has a storied history as the Department of Justice Press Release describes. 

It seems that in 1985 the thief, Emile Guelton, sold the work to Sharyl Davis who was using space art gallery in San Antonio owned by Jay Adelman.  Mr. Adelman seems to operate an antiques shop on the Riverwalk, and operate a website.  In 2003 the work was consigned to Sotheby's by Davis.  Davis paid $8,500 for the painting in 1985, and estimated an auction price of $60-80,000.  However Sotheby's asked about the history of the work and was told it was purchased from someone named "Frenchie". But then Davis asked for "Frenchie's" real name from Adelman, who told her it was Guelton and that he was from Paris.  That information appeared in the auction catalog with an image of Le Marché."

Just before the auction, French federal law enforcement officers learned that Le Marché was at Sotheby's. Based on the information in the auction catalog, the French officers located, contacted, and interviewed Guelton. Guelton confirmed that he knew Adelman, was living in Texas in 1985, sent a container of artwork from France to the United States in 1984, and sold Adelman paintings. The French officers, using a prior arrest photo of Guelton, created a six-person photo array, which they showed to the Faure Museum guard in October 2003.

 The Pissarro was then forfeited under the National Stolen Property Act.  Forfeiture allows prosecutors to bring a suit against an object which was part of a crime, and all claimants to the object come forward to challenge the forfeiture.  It is a powerful tool for prosecutors, and thus should be used carefully, else we may risk losing works of art for many years.  It seems like the right result was achieved in this case.  Mark Durney rightly points out that this round-about story reveals a lot about how difficult recovering stolen art is and how easy it is to acquire in "good faith".

Stolen Antiquities Recovered With the Help of the Art Loss Register

The Art Loss Register—though not a cure-all for what ails the antiquities trade—is an invaluable tool for the recovery of stolen objects so long as they have been documented and reported.  I have received a couple of press releases from the ALR highlighting recent recoveries of antiquities.  Though it cannot help aid the recovery of antiquities which have never been documented, it can help in the recovery of stolen antiquities which have been documented and reported missing, underscoring the need I think for museums and nations of origin to do a better job documenting and reporting the stores of objects which they currently have.  A couple recent seizures by Immigration and Customs Enforcement (ICE) highlight this.

Yesterday ICE announced a wall panel fresco which had been stolen in 1997 was recovered.  I found the history of the site interesting:

The panel, rectangular with a white background depicting a female minister, white wash on plaster with a modern wooden frame, was previously located at the excavation office in Pompeii and was reported stolen with five other fresco panels on June 26, 1997.

The investigation revealed that, between 1903 and 1904, the Italian government authorized a farmer, Giuseppe De Martino, to restore his farmhouse, which was located on an archeological site in Boscoreale, province of Naples. During the restoration, six important frescos, originating from Pompeii were found.

On July 12, 1957, the Government of Italy purchased the frescos. On June 26, 1997, after the completion of work to the excavation site, the Italian government observed that the six frescos were missing and subsequently reported the theft.

 This follows soon after the recovery of seven Egyptian antiquities which had been stolen from the Bijbels Museum in Amsterdam in 2007:

The investigation received significant help from the Art Loss Register (ALR) of New York, an organization that maintains a database of stolen works of art. The ALR discovered the artifacts at the Manhattan auction house, which turned the artifacts over to the Register and ICE agents.

One of the pieces recovered is a 7-inch-high depiction of a mummy with arms folded over the chest and hoes in each hand. It dates to between 1307 and 1070 B.C. The other recovered artifacts were an bronze figure of Imhotep, artchitect of the first pyramid, and one of Hapokrates, and an Egyptian painted Wood Osiris, all dating as far back as 712 B.C.

"The recovery of these artifacts sends a strong message to thieves that the market to sell stolen antiquities in the United States is freezing up." said Peter J. Smith, special agent in charge of the ICE Office of Investigations in New York. "ICE is committed to working closely with foreign governments and organizations like the ALR to recover priceless works of art and antiquities so they can be returned to their rightful owners."

Another Recovery for the Stern Estate

The AP reports that Immigration and Customs Enforcement officers have returned this work, St. Jerome by Ludovico Carracci (1595) to the estate of Max Stern.  The work was owned by art dealer Max Stern, and he was forced into selling the works in 1937 in Cologne, Germany.  The work had been hanging in the home of art dealer Richard L. Feigen.  Feigen had read about the other recent return to the Stern estate, and discovered the work had been missing after checking with the Max Stern Art Restitution Project. 

This voluntary return follows soon after another recent return, and the recent decision by the First Circuit, Vineberg v. Bissonette. 

Stolen Antiquities Returned to Egypt

From the AP:

Dozens of ancient artifacts stolen by a former U.S. Army officer were returned Wednesday to the Egyptian government.

Officials said the items, such as small urns, came from the Ma'adi archaeological site outside Cairo and date to 3600 B.C. or earlier.

Army helicopter pilot Edward George Johnson, a chief warrant officer from Fayetteville, N.C., was arrested in February in Alabama on charges of transporting stolen property and wire fraud. He pleaded guilty in July to possessing and selling stolen antiquities and was sentenced to 19 months of probation.

"When (Johnson) stole these items from Egypt, he robbed a nation of part of its history," said Peter J. Smith, head of U.S. Immigration and Customs Enforcement's New York office. "The repatriation of the Ma'adi artifacts reunites the people of Egypt with an important piece of their cultural heritage."

Johnson was deployed to Cairo in September 2002 when about 370 artifacts were stolen from the Ma'adi Museum. He sold about 80 pieces to an art dealer for $20,000.

The government said experts had determined a majority of the items he sold had been stolen from the museum. The pieces had been excavated from the Ma'adi site in the 1920s and 1930s. 

I discussed the arrest of "Dutch" back in February.  

AP: Antiquities Trade "Growing problem at US Ports"

Tamara Lush has an overview of antiquities coming through US ports:

_ On Monday, federal authorities will repatriate some 1,000 items, including a rare temple marker worth $100,000, to Iraq. On June 7, 2001, ICE agents in New York received information from the Art Loss Register that a Sumerian Foundation Cone, buried under a Babylonian temple, was being sold by auction at Christie's New York. ICE New York agents seized the artifact from Christie's and discovered that it, and several other items in the U.S., had been stolen from the Baghdad Museum and other locations at the end of the first Gulf War.

_ In May, four tons of fossils from Argentina — including 200-million-year-old dinosaur eggs, egg shell fragments, petrified pine cones and fossilized prehistoric crabs — were seized by federal agents in Tucson, Ariz. Authorities said a corporation based in Argentina had brought the fossils into the country. No arrests have been made, but the fossils were repatriated.

_ In February, an Army pilot was arrested and charged with stealing 370 pre-dynastic artifacts from the Ma'adi Museum near Cairo, Egypt, and selling them to an art dealer in Texas for $20,000. The artifacts, dating to 3000 B.C. and earlier, were originally discovered during excavations in Egypt in the 1920s and 1930s. The pilot, Edward George Johnson, pleaded guilty in June and is awaiting sentencing.

Lush does not follow her argument to its logical extension though. She notes the new AAM and AAMD guidelines, as well as the difficulty ICE agents and others have in establishing criminal wrongdoing. She fails to note looted antiquities can still slip through this patchwork regulatory framework because of the paucity of accurate provenance information given in antiquities transactions.

French Man Pleads Guilty to Art Theft Conspiracy

Last week the US Department of Justice issued a press release announcing a Frenchman named Bernard Jean Ternus pleaded guilty to conspiring to sell four works of art stolen last August from the Musee des Beaux-Arts in Nice, France.

According to the release, Ternus and another man attempted to sell two of the works to undercover agents in Barcelona, Spain for three million euros. They sold two works, and attempted to keep the other two as leverage in case they got arrested. This plan revealed its flaws in June though when Ternus' co-conspirators were arrested in Southern France when they attempted to exchange the final two works.

Ternus was arrested by FBI and ICE agents in Florida, and its likely a condition of his plea agreement was to give testimony about the thefts themselves, which should aid French authorities in their prosecution of the co-conspirators in Europe.

The arrests are a very good thing, but it will be interesting to see what Ternus' and his conspirators prison sentances will be, as art theft is typically not given long prison terms. Though the armed nature of the robbery may lead to harsher penalties for the actual thieves in Europe.

This is nonetheless a very good example of cooperation of Federal Agents and prosecutors, and their French and Spanish counterparts. Its a job very well done, and an indication why theft of these kind of high-profile works is very silly. I've included images of the recovered works from the press release below:

Permanent loan, Musée des Beaux-Arts, Nice; © Musée d'Orsay, Paris Claude Monet (French, 1840-1926). Cliffs Near Dieppe, 1897. Oil on canvas. 65 x 100 cm (25 9/16 x 39 3/8 in.).

© Musée des Beaux-Arts, Nice Jan Brueghel the Elder (Flemish, 1568-1625) and Hendrik van Balen the Elder (Flemish, 1575-1632). Allegory of Earth, ca. 1611. Oil on panel. 53 x 94 cm

©Musée des Beaux-Arts, Nice Jan Brueghel the Elder (Flemish, 1568-1625) and Hendrik van Balen the Elder (Flemish, 1575-1632). Allegory of Water, ca. 1611. Oil on panel. 53 x 94 cm

Permanent loan, Musée des Beaux-Arts, Nice; © Musée d'Orsay, Paris Alfred Sisley (French and British, 1839-1899). The Lane of Poplars at Moret, 1890. Oil on canvas. 76 x 96 cm (29 15/16 x 37 13/16 in.). (20 7/8 x 3)

100 Antiquities Returned to Mexico

There is a report in the Dallas Morning news on the repatriation of 100 pre-Columbian objects to Mexico, many of which were of museum-quality.

A treasure-trove of about 100 artifacts, believed to be pre-Columbian, is on its way to Mexico, its presumed home, U.S. customs agents and Mexican diplomats said Tuesday.

Among the antiquities is a stone mask of a broad-featured man, which is believed to come from the Olmec civilization, the oldest in the Americas, and it dates as far back as 1000 BC, experts said. Other items include figurines in jadeite, precious stones symbolically linked to fertility for the people of ancient Mesoamerica and once valued more than gold.

"We're so very happy about the return of these pieces," said Eduardo Rea Falcón, the consul in charge for Mexico's diplomatic post in Dallas. "It is unfortunate that through looting and robbing, these items fell into private hands."

One of the most stunning pieces is the mask, Mr. Rea said.

But when the experts at Mexico's National Institute for Anthropology and History unpack the goods, they may unravel far more significant mysteries, as authentication deepens, he said. "They may find something of incalculable value," Mr. Rea said.

Equally mysterious is the trajectory of the smuggled artifacts into the Dallas vaults of U.S. Customs and Border Protection.

The goods represent several seizures in Texas and New Mexico, including an initial seizure in 2001, said Carlos Fontanez, a CBP spokesman in the Houston office.

But Mr. Fontanez gave few details to the whodunit tale. No one has been charged with smuggling the goods into the U.S., he said, though it is illegal to traffic in antiquities under U.S. law.

It's an odd story, as there is no indication of how or under what circumstances these objects were seized. Dealing and importing these objects is of course illegal; one wonders why there was no arrest, and also why it took so long to return them to Mexico. One possible answer is the objects were being held for possible prosecution or criminal charges.

Stolen Egyptian Antiquities Arrest

Edward Earle Johnson, aka "Dutch" has been arrested in Alabama and charged in Manhattan for wire fraud and selling stolen goods in connection with a 2002 theft from the Ma'adi Museum near Cairo in Egypt. Johnson is an active duty Chief Warrant Officer with the US Army, serving as a helicopter pilot.

In September of 2002 370 "pre-dynastic artifacts" were stolen from the museum, some dating to 3000 BC. Around 80 of those objects have been recovered by US authorities.

ABC News has a good overview of the story, with pictures, and has helpfully posted the unsealed complaint, sworn out by Senior Special Agent James McAndrew of the Homeland Security Department, specifically the Immigration and Customs Enforcement. The ICE press release announcing the arrest yesterday is here.

An interesting question to ask here is whether Johnson used military ships or aircraft to somehow smuggle these objects back into the United States. That would be particularly troubling. That's just speculation on my part at this point, but it seems like a potential way for him to get those object into the US.

It is also important to note I think that this arrest stems from a theft from a museum. These objects were excavated in an archaeological dig in the 1920's-30's, and had been in a state collection. One interesting aspect of the case which may come to light later is how McAndrew and the ICE discovered these thefts. Did a scrupulous dealer come forward? Did someone notice these objects for sale? Were these objects cataloged and documented by the Egyptian culture ministry?

It can be extremely difficult to track stolen antiquities generally even where they have been excavated and on display, however the problems grow increasingly acute when we consider looted and illegally excavated objects, which are new to the market.