Feb 22, 2013
Good luck!
To all the teams and judges at this weekend's Cultural heritage moot court competition in Chicago, sponsored by De Paul and the LCCHP.
Feb 14, 2013
One report links drugs and antiquities smuggling in Texas
This report from a local Dallas news station details yet another example of how illicit networks piggyback off each other. We know that in Italy antiquities smugglers used other illegal and grey networks to smuggle antiquities up into the freeports of Switzerland.
It comes as no surprise then that the illegal narcotics trade, a big problem on the border towns of the US and Mexico, has also opened up pathways for looted and stolen antiquities.
Here's the video report:
It comes as no surprise then that the illegal narcotics trade, a big problem on the border towns of the US and Mexico, has also opened up pathways for looted and stolen antiquities.
According to Homeland Security Investigations, thieves removed thousands of items from archaeological sites in the area of Northern Mexico near Big Bend National Park. Other artifacts were stolen during a museum heist in Cuatro Cienegas, Coahuila, and smuggled across the border. “From here, they’d be just like drugs or any other stolen property," Stone said. "They’d be moved and transshipped to other locations." Undercover agents intercepted some of the items by infiltrating the smuggling ring. “We were able to set up some meetings and view these artifacts posing as buyers,” said Bill Fort, a Homeland Security Investigations agents who helped crack the case.
Here's the video report:
Feb 9, 2013
The Race to Reform in the American Museum Community
The DMA returned ownership of this red-figure krater (4th century BC)— Italian officials allowed the piece to remain at the museum on loan |
Protecting the world’s cultural heritage is essential to all of us. Like the natural environment, the material record of the past is irreplaceable and easily damaged. Whether you live in a country rich in archaeological finds, or a country with curiosity to learn about the past, every citizen wants to protect archaeological sites from intentional or accidental destruction. And every scholar and museum professional wants to share our most complete understanding of the objects and beliefs that people treasured in the past. The illicit trade of these objects is responsible for one of the largest international black markets, and the destruction of archaeological sites is often the result. It is not museum purchases that have been fueling the damage in recent years: As a result of strict, self-imposed guidelines, those acquisitions have slowed to a trickle over the last decade. However, private purchases are not subject to such guidelines and take place invisibly. Additionally, the construction of public works, from roads to buildings, causes undocumented harm to historic sites every day around the globe, not to mention accidental discoveries on private property, quickly hidden or destroyed. Natural disasters and armed conflict also take their toll on the world’s cultural heritage.
With this and other statements, Anderson is distinguishing himself and his institution from the old days of optical due diligence and the acquire-at-all-costs attitude of so many other American museums. Those policies have slowly been reformed, bu many still cling to that old idea, that these museums should acquire beautiful objects, despite the looting and theft which brought them to a shady international market. I hope that more and more museums look for more creative and sustainable means of acquisitions in the way Anderson has done. Nations of origin and foreign museums really do need each other. Now the mark of a great museum is not how many ancient objects it can acquire— in the past Anderson has called this lust for acquisition the desire to make museums 'treasure houses'. Instead cooperators with nations like Italy will find collaborative relationships and long-term loans in exchange for cooperation in returning looted objects. Rather than hoard the ill-gotten acquisitions of the past, I think museums will find themselves working quickly to get at the head of the collaborative line with these nations. Anderson's opinion piece, and the recent nudge towards reform in the AAMD guidelines are the most recent indication of what one hopes will be a positive shift.
- Maxwell Anderson, Giving back art — how museums see it, Dallas News, Feb. 8, 2013.
Feb 7, 2013
Call for Presenters, ARCA's 5th Annual Conference, June 21-23, Amelia Italy
Association for Research into Crimes against Art
5th Annual Conference, June 22-23, 2013, Amelia Italy
Call for Presenters
Aims of the Conference
The conference brings together experts and practitioners to examine crimes against art in all its forms—theft, looting, destruction, and fraud. Presenters are welcome from any allied fields which touch on art crime, including: law, criminology, law enforcement, security, art history, archaeology, conservation, journalism, and any other relevant field. Presenters are grouped into thematic panels of 3-4 speakers. Each speaker will be strictly limited to a 20 minute period, with ample time for questions at the conclusion of each panel, to allow for a lively and engaging conference.
The conference is held in the beautiful town of Amelia, in the heart of Umbria, Italy. The conference will include a cocktail reception on Friday, June 21 at an elegant palazzo, as well as an awards dinner on Saturday evening, to honor recipients of ARCA’s annual awards for scholarship, lifetime service, art security and recovery, and policing.
To submit a proposal or to attend:
Please contact me at Derek.fincham@artcrimeresearch.org
Presentation submissions should include a short title which summarizes the main idea of your presentation, and a longer but still concise summary of your proposed presentation topic.
There is a small fee to offset the cost of the cocktail and conference dinner, but there is no registration fee for the conference. Please contact Dr. Fincham if you plan on attending, as we can put you in touch with Monica Di Stefano, ARCA’s accommodations director in Amelia who can direct you to suitable accommodation and assist with travel arrangements. We regret that, as a small non-profit, we have very limited travel funds available to assist presenters or attendees.
5th Annual Conference, June 22-23, 2013, Amelia Italy
Call for Presenters
Aims of the Conference
The conference brings together experts and practitioners to examine crimes against art in all its forms—theft, looting, destruction, and fraud. Presenters are welcome from any allied fields which touch on art crime, including: law, criminology, law enforcement, security, art history, archaeology, conservation, journalism, and any other relevant field. Presenters are grouped into thematic panels of 3-4 speakers. Each speaker will be strictly limited to a 20 minute period, with ample time for questions at the conclusion of each panel, to allow for a lively and engaging conference.
The conference is held in the beautiful town of Amelia, in the heart of Umbria, Italy. The conference will include a cocktail reception on Friday, June 21 at an elegant palazzo, as well as an awards dinner on Saturday evening, to honor recipients of ARCA’s annual awards for scholarship, lifetime service, art security and recovery, and policing.
To submit a proposal or to attend:
Please contact me at Derek.fincham@artcrimeresearch.org
Presentation submissions should include a short title which summarizes the main idea of your presentation, and a longer but still concise summary of your proposed presentation topic.
There is a small fee to offset the cost of the cocktail and conference dinner, but there is no registration fee for the conference. Please contact Dr. Fincham if you plan on attending, as we can put you in touch with Monica Di Stefano, ARCA’s accommodations director in Amelia who can direct you to suitable accommodation and assist with travel arrangements. We regret that, as a small non-profit, we have very limited travel funds available to assist presenters or attendees.
Subscribe to:
Posts (Atom)
Labels
"Bronze Statue of a Victorious Youth"
(17)
1954 Hague Convention
(12)
1972 World Heritage Convention
(1)
Aboriginal Heritage
(1)
Aboriginal Heritage Act 1988 (SA)
(2)
act of state doctrine
(1)
Admiralty Law
(11)
Afghanistan
(10)
Africa
(4)
Albright-Knox Gallery
(3)
Aleppo
(2)
Alfred Stieglitz
(2)
Alternative Dispute Resolution
(1)
Angkor
(1)
Anti-Seizure Legislation
(1)
antiquites
(3)
antiquities
(337)
Antiquities Act 1906
(2)
Antiquities leasing
(10)
antiquities looting
(4)
antiquities smuggling
(3)
antiquities theft
(6)
ARCA
(8)
ARCA Annual Conference
(10)
ARCA MA Program
(6)
Archaeological Resources Protection Act
(5)
Archival Recovery Team (ART)
(3)
Archives
(1)
Armed Conflict
(22)
Arrests
(79)
Art and Cultural Heritage Law
(1)
Art Beat Constables
(9)
Art Crime Statistics
(1)
art fraud
(9)
art history
(1)
Art Institute Chicago
(3)
art law
(1)
Art Loans
(9)
Art Loss Register
(19)
Art Market
(10)
Art Theft
(263)
Artist Resale Right
(1)
arts funding
(1)
Association of Art Museum Directors (AAMD)
(8)
Athens
(3)
Auction
(99)
austerity
(2)
Australia
(7)
Austria
(3)
Authentication
(3)
Babylon
(3)
Banksy
(1)
Big Bend National Park
(1)
bilateral agreements
(2)
Black Hills
(1)
Bolton Forgers
(4)
Book Theft
(3)
Brazil
(5)
British Museum
(13)
Bronze
(5)
Bronze Statue of a Victorious Youth
(1)
Brueghel
(1)
Bruno Lohse
(3)
Brussels
(1)
Bührle Collection Theft
(4)
Bulgaria
(4)
Burke and Wills
(2)
Burns Mummies
(1)
Byzantine Artifacts
(4)
Cairo
(1)
Cairo art theft
(2)
California Raids
(6)
Caligula
(1)
Cambodia
(11)
Camille Pissarro
(7)
Carabinieri
(6)
Caravaggio
(1)
catalogue raisonné
(1)
Cellini Salt Cellar
(2)
Central Park
(1)
Cerveteri
(1)
Chance Finds
(3)
Charles Goldie
(1)
Chihuly Glass
(1)
China
(16)
Christie's
(14)
Church Thefts
(6)
Civil War
(2)
Claude Monet
(4)
Claudia Seger-Thomschitz
(3)
Cleveland Bronze Apollo
(2)
Cleveland Museum of Art (CMA)
(5)
Coins
(7)
Colonial Art
(1)
Columbia
(1)
Conferences
(7)
Conservation
(1)
Conventions
(1)
Copyright
(5)
Corot
(1)
Corrections
(1)
cosmpoplitanism
(4)
Costa Rica
(2)
CPIA
(10)
criminal charges
(5)
criminology
(1)
Crystal Bridges Museum
(5)
Cultral Property Advisory Committee
(9)
Cultural First Aid
(2)
cultural heritage
(6)
cultural heritage careers
(2)
Cultural Heritage Moot Court Competition
(2)
Cultural heritage movement
(1)
cultural justice
(3)
cultural policy
(18)
cultural property
(4)
Cultural Resource Management
(1)
cultural security
(1)
culture funding
(1)
curatorial theft
(2)
Cycladic Figurines
(1)
Cyprus
(9)
Dahshour
(1)
Dallas Museum of Art (DMA)
(2)
Database
(5)
Databases
(4)
DCMS
(2)
Deaccessioning
(24)
Dead Sea Scrolls
(1)
Dealing in Cultural Objects (Offences) Act 2003
(4)
Declaratory Suits
(4)
Demand and Refusal
(2)
Design and Artists Copyright Society
(1)
Detroit Institute of Art
(1)
development
(1)
Dick Ellis
(2)
Diplomatic Bags
(1)
Doctrine of Discovery
(3)
Donald Trump
(3)
Donny George Youkhanna
(2)
Dr. No
(6)
Droite de Suite
(2)
Dubai
(1)
due diligence
(5)
eBay
(5)
Economics
(1)
Ecuador
(1)
Edgar Degas
(2)
Edinburgh
(1)
Edoardo Almagia
(1)
Edvard Munch
(2)
Egon Schiele
(4)
Egypt
(55)
El-Hibeh
(2)
Elgin Marbles
(5)
empirical studies
(1)
England
(4)
environmental justice
(4)
Environmental law
(2)
Erik Nemeth
(1)
Etruscans
(2)
Euphronios Krater
(4)
European Court of Human Rights
(1)
Export Restrictions
(19)
Fakes
(6)
FBI
(16)
FBI Art Crime Team
(16)
Festivus
(1)
Fifth Circuit
(1)
fire
(1)
Fisk University
(3)
Footnotes
(59)
force multiplier
(1)
Foreign Sovereign Immunities Act (FSIA)
(6)
forfeiture
(13)
Forgery
(27)
fossils
(2)
Four Corners Antiquities Investigation
(11)
fractional ownership
(2)
Francavilla Marittima
(1)
France
(30)
Francesco Rutelli
(15)
Frans van Mieris
(2)
Frederick Schultz
(3)
freedman's town
(2)
Gaza
(1)
George Grosz
(1)
Georgia
(1)
Georgia O'Keeffe
(2)
Germanicus
(2)
Germany
(16)
Getty
(1)
Ghent Altarpiece
(1)
Giacomo Medici
(6)
Gianfranco Becchina
(1)
Golf
(3)
good faith
(3)
Goya
(3)
Goya theft
(4)
graffiti
(1)
Greece
(38)
Grosz
(1)
Henri Matisse
(1)
Henry Moore
(1)
Heritage at Risk
(1)
heritage crime
(1)
Heritage Crime in Art
(1)
Hermitage
(2)
High Court in London
(4)
historic documents
(1)
Historic Landmark
(1)
historic preservation
(1)
historic weapons
(1)
Holocaust (Return of Cultural Objects) Act
(2)
Hopi
(1)
House of Commons Illicit Trade Advisory Panel (ITAP)
(1)
Houston
(2)
Howard Spiegler
(2)
Human Remains
(5)
Human Rights
(1)
Hungary
(1)
Identification
(1)
illicit excavation
(1)
Immigration and Customs Enforcement
(16)
Immunity
(6)
Immunity from Seizure Act (ISA)
(3)
import restrictions
(3)
in the media
(7)
Indemnity
(1)
Indianapolis Museum of Art
(5)
indictments
(5)
Indigenous Rights
(2)
Indonesia
(1)
injunctions
(1)
Insider Theft
(2)
Institute d'Egypte
(1)
Institute of Art and Law
(1)
Institutional theft
(1)
Intellectual Property
(4)
Intentional Destruction
(6)
International Criminal Court (ICC)
(1)
International Journal of Cultural Property
(1)
internationalism
(4)
INTERPOL
(1)
Interview
(2)
Interviews
(2)
Iran
(8)
Iran v. Barakat Galleries Ltd.
(6)
Iran v. Berend
(3)
Iraq
(46)
Isabella Stuart Gardner Museum
(7)
Islamic art
(2)
Israel
(4)
Istanbul
(2)
Italian Art Squad
(5)
Italian Culture Ministry
(6)
Italy
(122)
Jacques Goudstikker
(4)
James Ossuary
(1)
Jan Breugel the elder
(2)
Jan van Eyck
(1)
Japan
(3)
Jeanneret v. Vichy
(1)
Jeff Tweedy
(1)
Jenack v. Rabizadeh
(1)
JMW Turner
(2)
John Constable
(1)
Jonah Marbles
(1)
Jonathan Tokeley-Parry
(1)
Jordan
(2)
Joseph Farquharson
(2)
Journal Articles
(1)
Journal of Art Crime
(1)
Ka-Nefer-Nefer
(9)
Kansas
(2)
Kansas City
(1)
Kazimir Malevich
(3)
Kenya
(1)
Kingsland
(3)
Klimt
(3)
Koh Ker
(6)
Konowaloff v. Metropolitan Museum of Art
(1)
Kunsthal Museum Theft
(2)
La Dea Di Morgantina
(6)
Lawrence Kaye
(1)
Lebanon
(1)
Leonardo Da Vinci
(9)
Leopold Museum
(1)
Lewis Chessmen
(5)
lex originis
(3)
lex situs
(5)
Libya
(2)
Lincoln's Inn theft
(1)
Lithographs
(1)
loans
(5)
London
(6)
London Art and Antiques Unit
(7)
London Metropolitan Police
(2)
loot
(1)
looting
(30)
Los Angeles County Museum of Art (LACMA)
(2)
Los Angeles Museum of Contemporary Art (MOCA)
(1)
LS Lowry
(3)
Lucas Cranach
(1)
Lucas Cranach the Elder
(3)
Lucian Freud
(1)
Macedonia
(1)
Machu Picchu
(12)
Madonna of the Yarnwinder (recovery)
(9)
Mali
(4)
Malta
(1)
Manchester
(2)
manuscript
(1)
Maori
(2)
maps
(2)
Marc Chagall
(1)
Marion True
(25)
Mark Landis
(1)
market overt
(1)
Mausoleum at Helicarnassus
(1)
Max Stern
(3)
Maxwell Anderson
(3)
metal detecting
(6)
Metropolitan Museum of Art (the Met)
(29)
Mexico
(9)
Meyer de Haan
(1)
MFA Boston
(6)
Michael Brand
(3)
Michael C. Carlos Museum
(1)
Michael Steinhardt
(2)
Middle Eastern Geodatabase for Antiquities (MEGA)
(1)
Minneapolis Institue of Arts (MIA)
(1)
Moctezuma's Headdress
(1)
Modigliani
(2)
MoMA
(4)
Mondrian
(1)
Monet
(3)
Montreal Museum of Fine Art
(2)
Monument Men
(5)
Monuments Men
(1)
Moral Rights
(3)
Morgantina
(2)
Morgantina Aphrodite
(9)
Morgantina Treasure
(1)
Moscow
(2)
Musée d'Art Moderne theft
(1)
Museum Acquisitions
(1)
Museum Governance
(1)
Museum of Anatolian Civilizations
(1)
Museum of Fine Arts in Boston
(6)
museum security
(2)
museum theft
(2)
Museums Libraries and Archives Council (MLA)
(1)
Music
(2)
Myth
(1)
Napoleon III
(1)
National Academy
(2)
National Archaeological Museum in Naples
(1)
National Archives
(3)
National Gallery (Washington)
(1)
National Historic Preservation Act
(2)
National Stolen Property Act
(8)
nations of origin
(5)
Native American Graves Protection and Repatriation Act
(8)
Native Americans
(17)
native cultures
(2)
Nazi Spoliation
(74)
Neglect
(1)
Neil Brodie
(1)
Nelson-Atkins' Bloch Building
(1)
Netherlands
(10)
New Acropolis Museum
(3)
New Orleans
(4)
New York
(6)
New Zealand
(7)
Nigeria
(1)
nighthawking
(3)
Noah Charney
(1)
Norbert Schimmel
(1)
Norman Palmer
(1)
Norman Rockwell
(2)
Norway
(4)
NSPA
(1)
Nuclear Analytical Techniques
(1)
Odyssey Marine Exploration
(23)
Olympics
(2)
Omaha Nebraska
(1)
Organized Crime
(1)
Orphaned Works
(2)
Oskar Kokoschka
(2)
Oslo
(1)
Pablo Picasso
(16)
Pakistan
(2)
Palestine
(3)
Panama
(1)
Paolo Ferri
(2)
Paris
(10)
partage
(1)
Parthenon Marbles
(17)
Patents
(1)
Patty Gerstenblith
(1)
Paul Bator
(2)
Paul Cezanne
(5)
Paul Gauguin
(4)
Pazardzhik Byzantine Silver Hoard
(1)
Penn Museum
(1)
Pentagon
(1)
Pere Lachaise
(1)
Persepolis
(3)
Peru
(24)
Peru Headdress
(1)
Peter Watson
(1)
Philadelphia
(7)
Phillipines
(1)
Picasso
(9)
Pierre Le Guennec
(1)
Pierre Valentin
(1)
piracy
(1)
Pollock
(1)
Pompeii
(3)
Popular Culture
(1)
Portable Antiquities Scheme
(25)
Portrait of Wally
(11)
Poussin
(1)
pre-Columbian antiquities
(2)
pre-emptive archaeology
(1)
Prince Claus Fund
(1)
Princeton
(4)
Private Collectors
(2)
Private International Law
(5)
Proceeds of Crime Act 2002 (UK)
(1)
Prosecutions
(7)
provenance
(13)
Prussia
(1)
Public Art Theft
(5)
Public Trust
(1)
Publications
(2)
Quran
(1)
Radio
(2)
Ransom
(2)
realkulturpolitik
(1)
recovery
(45)
Rembrandt
(2)
Rene Magritte
(2)
Renoir
(2)
Renvoi
(3)
repatriation
(121)
Restitution
(40)
reward
(1)
Rhodes
(1)
Robert Hecht
(8)
Robin Symes
(1)
Rodin
(2)
Roger Atwood
(1)
Roman Objects
(2)
Rome
(3)
Rothko
(1)
Royal Academy
(1)
Rubens
(3)
Rubin v. Islamic Republic of Iran
(2)
Russia
(11)
Sale of "The Cello Player"
(1)
Sale of the "Gross Clinic"
(11)
Sale of the Stieglitz Collection
(4)
Salvage
(1)
Sao Paulo
(2)
Sao Paulo Museum of Art
(3)
Scheduled Ancient Monuments
(1)
Scholarship - Articles and Essays
(57)
Scholarship - Book Reviews
(3)
Scholarship - Books
(12)
Scholarship - Case Notes
(1)
Scholarship - Events and Conferences
(55)
Scholarship - Journal Articles
(12)
Scholarship - Student Papers
(16)
Scotland
(7)
Scotland Yard's Arts and Antiques Squad
(1)
scrap metal
(1)
Sculpture
(2)
security
(4)
seizure
(16)
Selling stolen art
(1)
seminars
(1)
semiotics
(1)
Sentencing
(2)
Serbia
(1)
settlement
(1)
Sevso Treasure
(6)
Shelby White
(3)
shipwreck
(1)
Sicily
(4)
Simon Mackenzie
(2)
Sisley
(4)
Slovakia
(1)
Smithsonian
(4)
Solomon R. Guggenheim
(1)
Sonic Fingerprints
(1)
Sotheby's
(13)
Sotheby's Paris
(1)
South Africa
(1)
South America
(1)
Spain
(21)
Spoliation
(2)
Spoliation Advisory Panel
(8)
St. Louis Art Museum
(8)
St. Ninian's Isle Treasure
(3)
Stair Gallery
(2)
State Department
(2)
Statue of a Victorious Youth
(1)
statute of frauds
(1)
Statutes of Limitations
(10)
Stephane Breitwieser
(1)
Stephen Colbert
(1)
Steven Spielberg
(1)
stewardship
(2)
Stolen Art
(11)
Stone Age
(1)
street art
(1)
study collections
(1)
Summer Palace Bronzes
(7)
Sweden
(2)
Switzerland
(13)
Syria
(7)
Taliban
(1)
Tennessee
(3)
The Art Fund
(1)
The Bowers Museum
(1)
The Discovery Rule
(4)
the fourth ward
(1)
The Getty
(58)
The Gross Clinic
(1)
The Guggenheim
(2)
The Holocauset (stolen art) restitution bill
(2)
the Louvre
(2)
The Menil
(4)
The National Gallery
(1)
The National Gallery (London)
(2)
the Pirate Party
(1)
The Scream
(1)
theft
(2)
Thomas Eakins
(9)
Thomas Jefferson
(1)
Timbuktu
(2)
Titian
(1)
Toledo Museum of Art
(4)
tombaroli
(2)
tourism
(1)
transparency
(1)
Traprain Law
(1)
Traveling Exhibitions
(2)
Treasure Act
(4)
treasure trove
(3)
Turkey
(11)
UCC
(1)
Ukraine
(2)
UN
(2)
Underground Salt Museum
(1)
Underwater Cultural Heritage
(32)
Underwater Sites - "Black Swan"
(3)
Underwater Sites - "Blue Baron"
(1)
Underwater Sites - HMS Victory
(3)
UNESCO
(23)
UNESCO Convention
(24)
UNESCO Convention on the Protection of Underwater Cultural Heritage
(9)
UNIDROIT Convention
(2)
United Kingdom
(24)
United States
(12)
University College London
(1)
University of Chicago
(1)
University of Guelph
(1)
University of Virginia
(3)
urban development
(1)
Van Gogh
(7)
Vandalism
(4)
Vatican
(1)
Vermeer
(2)
Victoria And Albert Museum
(3)
Vigango
(3)
viking
(1)
Villa Giulia
(3)
Vineberg v. Bissonnette
(4)
Visual Artists Rights Act
(2)
voluntary returns
(1)
Von Saher v. Norton Simon Museum of Art at Pasadena
(3)
Watts Towers
(1)
Waverley Criteria
(10)
Week in Review
(3)
West Bank
(1)
wikiloot
(1)
Wilco
(1)
William S. Burroughs
(1)
Windsor Antiquities Indictment
(1)
World Heritage Sites
(1)
World War II
(11)
Yale University
(13)
year in review
(2)
Zahi Hawass
(9)